Henri Dutilleux. Sonatina for flute & piano. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Sheet Music – £ – Henri Dutilleux’s early Sonatine pour Flute et Piano ( ). Published by Alphonse Leduc. Created in as part of the four exam pieces for the Paris Conservatoire, this charming Sonatine for flute and piano is part of the early works of Henri Dutilleux .

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Introspection Late Night Partying. Sonatines for flute flue piano. It begins with a mysterious, tonally ambiguous flute theme played over an angular, rising and falling piano motif that strongly recalls the style of Dmitry Kabalevsky. Correspondances Deux sonnets de Jean Cassou Le temps l’horloge. Afternoon in Pan’s Labyrinth.

The work has become a standard of the flute repertoire [2] and has been performed many times by flautists such as Sharon Bezaly and Emmanuel Pahud. The first section features a mysterious theme in 7 8 contrasting with jagged piano figures.

Sonatina for flute & piano

Sexy Trippy All Moods. Lasting barely ten minutes, the sonatina falls into three sections played without pause.

Share on facebook twitter tumblr. Near the end, a challenging cadenza alludes to motifs from all three sections of the sonatina, hnri the piano joining for an accelerando through the final, bright measures. You can help Wikipedia by expanding it. AllMusic Featured Composition Noteworthy. A frenzied accelerando played by both instruments sonatime the piece. Julius Baker Flute Recital. A fast, tense, and questioning flute cadenza leads to an expressive, lyrical andante reminiscent of Poulenc in his most serious instrumental mode.


One of a Kind. Drinking Hanging Out In Love. Genre Chamber Henro Classical. As ofit is Dutilleux’s most often recorded work. Modern French Music for Flute. Excitement eventually builds until the piano takes over with a jubilant, if initially frantic, melody.

The sonatine is structured in 3 sections played without a break. He once stated that he had never been completely happy that it was played so often [3] but he never withdrew it.

This page was last edited on 24 Mayat The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleuxcomposed and published in Views Read Edit View history.

Henri Dutilleux

Predating his official Opus 1 the Piano Sonata by five years, Henri Dutilleux ‘s Flute Sonatina hardly reflects the composer’s distinctive mature style; it’s in a more generic, sometimes saucy French manner. Ainsi la nuit Sonatine for Flute and Piano. This article dutolleux a sonata is a stub. They were commissioned by then-director Claude Delvincourt.

Dutilleux was notoriously critical of his early works, including the Sonatine. Retrieved 31 August The flute offers some brighter material as a bridge to a restatement of the opening piano melody, now appropriated fully by the flute and sounding gradually more playful.

Rainy Day Relaxation Road Trip. Retrieved from ” https: Archived copy as title All stub articles. A Portrait of Ensemble Pyramide.


Jazz Latin New Age. Great 20th Century Flute Music. Masterworks for Flute and Piano. Poulenc, Hindemith, Dutilleux, Muczynski, Martin. The Paris Conservatory commissioned it as a test piece for the graduating flutists of French Works for Flute. From Wikipedia, the free encyclopedia. Romantic Evening Sex All Themes.

Henri Dutilleux – Sonatine pour Flute et Piano

It concludes with a cadenza that provides dutillsux transition to the lyrical second section. In 80 Minutes Around the World.

The Sonatine for Flute and Piano is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between and This burbling material soon becomes hsnri flute’s property, and the remainder of the section tests the flutist’s snoatine, breath control, and agility in music that grows increasingly lighthearted.

Archived from the original on Streams Videos All Posts. Please enable JavaScript in your browser to use the site fully. These pieces were intended both to test the technique of the students and provide them with new scores. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before.

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