„Der vollkommene Capellmeister“ von Johann Mattheson aus dem Jahre ist ein Spiegel des musikalischen Denkens des frühen Jahrhunderts, ein. Der Vollkommene Capellmeister (Documenta Musicologica) (German Edition) [ Johann Mattheson, Margarete Reimann] on *FREE* shipping on. Johann Mattheson (28 September – 17 April ) was a German composer, singer, disciplines of rhetoric and music, for example in Das neu- eröffnete Orchestre, Hamburg and Der vollkommene Capellmeister.

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Examination and the Care of the Human Voice. On Many and FullVoicing in General. Please help improve this article by adding citations to reliable sources. On the Unison in Harmony and Its Progressions. This page was last edited on 30 Novemberat On the Sections and Caesuras of Musical Rhetoric. Views Read Edit View history. Johann Mattheson 28 September — 17 April was a German composer, singer, writer, lexicographerdiplomat and music theorist.

The two were afterwards reconciled and remained in correspondence for vollkommen In he married an English woman. Read, highlight, and take notes, across web, tablet, and phone.

Johann Mattheson

Unsourced material may be challenged and removed. On the Meters Appropriate for Melody. Notes to the Foreword. He made his solo debut with the Hamburg opera in in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself.


On the Movement of Voices against One Another. On the Art of Creating a Good Melody. Mattheson is mainly famous as a music fapellmeister. He also wrote a few sonatas and some keyboard music, including pieces meant for keyboard instruction.

Mattheson, Johann / Der vollkommene Capellmeister / Bärenreiter Verlag

He was a close friend of George Frideric Handelalthough he nearly killed him dee a sudden quarrel, during a performance of Mattheson’s opera Cleopatra in He had studied English in school and spoke it fluently. Notes to Part II. On the Seconds in Particular. On Emphasis in Melody. He went on diplomatic missions abroad representing the ambassador.

On Thirds and Their Progression in Harmony. New Listing volliommene Matthesons Works to Date. He was cantor at St. On the Art of Singing and Playing with Graces.

On the Art of Gesticulation. He was the most abundant writer on performance practice, theatrical style, and harmony of the German Baroque. PDF Hamburg ; Extracts. My library Help Advanced Book Search.

Retrieved from ” https: Mattheson’s chief occupation from was as a professional diplomat. The son of a well-to-do tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instrumentsviolincomposition and singing. On the Use of Music in the General Public. On the Art of Writing Melodies. However his books raise more and more attention and suspicion because Mattheson was a brilliant polemist volkkommene his theories on music are often full of pedantry and pseudo-erudition.


On the Unharmonious Cross Relationship. University of Rochester Library Bulletin. In other projects Wikimedia Commons. German classical composers German Baroque composers German music theorists German lexicographers German diplomats Musicians from Hamburg Deaf classical musicians German opera composers Male opera composers births deaths German male non-fiction writers 18th-century German writers 18th-century classical composers German male capwllmeister composers Writers from Hamburg Deaf people from Germany 18th-century German composers.

Account Options Sign in. Vollkkommene the Disposition Elaboration and Ornamentation of Melody.

Der vollkommene Capellmeister | work by Mattheson |

On the Art of Playing. On the Sound of Words. This article needs additional citations for verification. On the Style of Cwpellmeister 18 9. On Fifths and Their Progression. On the Difference between Vocal and Instrumental Melodies.

Notes to Part III. Vollkommeme to Part I. Mary’s Cathedral from until increasing deafness led to his retirement from that post in The bulk of his compositional output was vocal, including eight operas, and numerous oratorios and cantatas.

Handel was saved only by a large button which turned aside Mattheson’s sword.